useless art

September 14, 2004

Charity Stripe

Dad places a cigarette butt
on the driveway,
then hands me the ball.

The hoop still shivers
from my last shot,
aimed at the warm nook

between rusting backboard
and rigid hoop hinge.
Dad takes out a fresh pack

of smokes, unfurls the thin
cellophane wrapper,
tosses it to the wind, ignores

its skittish path across
the driveway cracks
and fitful tufts of dandelion.

“Right there,” he says, pointing
at the old butt while patting
his baseball jacket down for a lighter,

then crossing his arms, unlit
cigarette tucked between his lips,
waiting. This is a history lesson.

I should think about slow old
George Mikan
in earthbound Chuck Taylors,

and Michael Jordan in full flight,
tongue wagging,
body forever fluid in stasis,

Hot Plate, Moochie, Big Dog,
Shaq, Bron-Bron,
the Round Mound of the Rebound,

peach baskets, wire fences,
set shots, shot clocks,
double dribble, travel,

carry, palm, crossover,
behind the back, through
the legs, all ball, all ball.

Instead, I remember that kid
in the driveway
of that house we drove by

taking aim at his garage
with no hoop, no backboard
no lines, no refs,

just a few dribbles,
bend at the knees,
and flick the wrist.

Nothing but net every time.

Dad coughs, then coughs more,
doubling over, and slaps
the asphalt with tarred spit.

“Shoot the ball,” he barks,
so I toe the butt,
spin the ball in the air, then

dribble once, twice, stop,
squat down, look up,
raise the ball, cock my wrist,

and close my eyes.

Talk About the Passion

A friend -
former Jew,
now born-again
billboard,

GOT JESUS?
across his chest
embossed in sans
serif

with a fresh trail
of blood across
the question -
not his blood.

He says
I’m going to Hell
when I die -
well, goddamn.

He circles the court
like a pent-up
hamster,
perpetual,

Earl the Pearl
parting seas
on his way to
the goal.

I make sure
to say my piece
as he swoops towards
my arm,

and as the ball rolls
away, I help him up,
because that’s the way
I was raised.

Diorama

A room with
an open door
asks to be admired

and the worker
inside the room
to be judged

by furtive glances
scratching the jamb

Macrocosmic diorama

Speak Softly

Clever gets you
as far as the door
when they ask you
to leave

and could possibly
get you a cup
of coffee
if you knew

what to do
with pocket lint

Quotidian (DRAFT)

My life
such as it is -
where I can walk away
from a car wreck

but fail to separate
my lights from my darks
and am forced to wear
pink undershirts

with crusty yellow stains
in the armpits
until my next paycheck
sees enough money

beyond the bills and debt
to allow me the luxury
to buy new undershirts
and some other things

that will help me forget
I almost died
in a car accident.

May 17, 2004

Clothes Make The Man

into something special.
A near-sighted klutz
falls into a closet,
opens his shirt,
and becomes immortal.
An aloof millionaire drenched
in Armani and Maker’s Mark
eschews his fortune
for a grim embittered fury.

But that’s kid stuff,
ten cent pulp fiction,
dodo history.
It won’t help me understand
what I’m trying to do,
swinging between buildings
and cracking jokes
between uppercuts
when I can’t make rent
and all I have in my fridge
is month-old milk.

No one told me
with great power
comes the need to lie
to people I love to protect them
from the nonsense I perpetuate
cavorting with four-colored
lunatics and Raymond Chandler
rewrites.

No one told me
the same brick walls
would come hurtling towards me
every time I tried to do
the right thing.

No one told me
I’d still feel the bite
on the back of my hand
when I try to fall asleep.

This great power
killed my uncle, my parents,
my girlfriend. This great power
allows me to scurry across
walls, hide in alleys, skulk
in the dark like the creeps
I catch, the creeps I work with.

The night is like rain, and
I’m a worm squirming across
the pavement, free to hide
behind this mask
as if it’s only a costume,

as if I’m not really some squat bug
waiting for someone’s foot
to put me down.

*******

But does garish spandex
hide the man from his
own myth, or is the man
the actual mask?

Do their tall tales
and deceits actually
protect them from

—–
Bookworm wallflowers
take to swinging between
buildings like tetherballs.

Charity Stripe

Dad places a cigarette butt
on the driveway,
then hands me the ball.

The hoop still shivers
from my last shot,
aimed at the craggy nook

between rusting backboard
and rigid hoop hinge.
Dad takes out a fresh pack

of smokes, bangs it twice,
unfurls the flimsy wrapper,
and tosses it to the wind, ignoring

its skittish path across
the driveway cracked
with fitful dandelion tufts.

“Right there,” he says, pointing
at the old butt while patting
his letterman jacket down for a light,

then crossing his arms, unlit
cigarette tucked between his lips,
waiting. This is a history lesson,

the metallic doom of every shot
missed repeating in my head
as I try to focus on the hoop.

But instead, I think about that kid
in the driveway
of that house we drove by

taking aim at his garage
with no hoop, no backboard
no lines, no refs -

just a few dribbles,
a bend at the knees,
and a flick of the wrist.

Nothing but net every time.

Dad coughs, then coughs more,
doubling over, and slaps
the asphalt with tarred spit.

“Shoot the ball,” he barks,
the cigarette needling the air
as he looks again for a light.

He finds his lighter. I watch him
gently cup the flame
as he brings it to his lips,

and, after a deep breath, he exhales.
A lick of smoke gracefully spirals
into the air, and disappears.

He sees me watching him,
and merely stares back.
Ash falls to the ground.

I toe the butt,
spin the ball in the air,
bend at the knees

dribble once, twice,
look up at the rim
aim, close my eyes,

and shoot.

April 26, 2004

Monday Morning

A small smackerel
of cold coffee
clinging to the pursed
lower lip of a thin
styrofoam cup
streaked with pastel
greenpurple convenience

melted at the bottom,
slightly, still smoldering,
because placing the cup
straight on the hot plate
will do that.

because I placed the cup
directly on the hot plate,
wanting to bypass
the middle man

April 20, 2004

Talk About The Passion

A friend -
former Jew,
now born-again
billboard,

GOT JESUS?
across his chest
embossed in sans
serif

with a fresh splash
of blood across
the question -
not his blood.

He says
I’m going to Hell
when I die -
well, goddamn.

He circles the court
like a pent-up
hamster,
perpetual,

Earl the Pearl
parting seas
on his way to
the goal.

I make sure
to say my piece
as he swoops towards
my arm,

and as the ball rolls
away, I help him up,
because that’s the way
I was raised.

April 11, 2004

Ebb & Flow

The standing water in the dishwasher smells
like pond silt and decaying plant matter
and offers a fitting air to the tasks
patiently waiting for my attention.

Like a tree falling to make coal,
I sludge through years and years of boxes
patiently waiting for my attention
And break them down, one by one.

I sludge through these unending piles of boxes,
One inside another, hiding like children
on Christmas Eve, counting presents, one by one,
at the top of the stairs.

One inside another, hiding like children,
these babushka boxes multiplied and festered
at the top of the stairs,
spreading into the living room and kitchen.

These boxes festered with receipts and padding,
Fluffy knots of styrofoam and balled-up newspaper,
spread across the floor of the kitchen.
I ask Mom if she still has my article.

I toss the styrofoam and the newspaper
Into large industrial strength trash bags,
and again ask Mom about the article,
my book review the Courant published 2 years ago.

And now into these industrial strength trash bags,
Go old bills, old candy wrappers, old copies of Time,
and that review published by the Courant,
is probably, she thinks, in the dining room

under old paper towels, old coupons, old birthday cards,
and sun-dried stacks of last century’s news.
I try not to think about any of the other rooms in this house
as I listen to the dishwasher start up in the kitchen.

Because there’s my old bedroom, the computer room,
and the entire downstairs - the guest room,
the old TV room, the laundry room, the garage,
and all the discarded garbage therein.

But the newspaper can’t go in the trash;
it’s recyclable, and needs to be bound in twine
and kept separate from the run-of-the-mill trash.
This is an important distinction to make.

So now I go to the living room to find the twine
as Mom goes to her bedroom to freshen up.
As as I make my way back into the kitchen
I step in a growing puddle of water.

Mom is freshening up in her bedroom,
and I’m standing shock still in the kitchen
socks soaked in a puddle of growing water
leaking from the running dishwasher.

And the water won’t stay in the kitchen,
crawling quietly into the dining room,
leaking steadily from beneath the dishwasher
as the motor gags and chokes.

So I stumble towards the dining room,
knocking into bags of recyclable bottles
and turn off the gagging, choking dishwasher.
But, the water continues to spreads across the floor.

The water spreads underneath all these filled bags,
underneath my cold damp feet,
washes across the dirty kitchen floor,
and starts to scale piles of old yellowed newspaper.

I splash into the dining room, cold and damp,
and yell for some rags, some old towels,
anything to keep rest of these stacks
dry and untouched.

It takes a good minute for Mom to hear me.
I throw the raggedy towels at the floor,
watch them moisten and turn color,
and wait for the water to stop.

I push these towels across the floor,
from the dining room into the kitchen.
While Mom tries using an old mop to stop
water from reaching the carpet.

But as I push from the dining room to the kitchen,
the water pushes back against the towels,
and inches steadily towards the carpet
like the river Alpheus washing towards Aegeus.

And I get angry, angry at these damp towels,
angry at this unending torrent of rank water,
angry at the insurmountable labor
of cleaning, and cleaning, and cleaning,

And now I’m cleaning this godawful stench-ridden water,
so I can get back to cleaning the rest of the house
and I’m angry at all this goddamn pointless cleaning,
and I’m angry at the boxes, the newspaper, the dirt,

angry at this hollow cobweb of a house
I grew up in, I escaped from, I ran away from
because of all the unwanted memories -
all those infinitisimal moments that mean everything

to a five year old, ten year old, thirty year old kid
still wondering if Mom leaving Dad is his fault,
wondering why Mom gave up everything
for a crying baby and a house that won’t stay clean,

wondering why I’m on the floor with wet dirty towels,
cleaning up water that doesn’t want to be clean,
wondering why this always happens to me,
why this always seems to happen to me,

but it’s not my fault. It’s not my fault.
The water is drying up now.
I bring all the dirty towels downstairs to the washer,
and I wash my hands three times.

Mom thanks me for helping with the water problem,
and I thank her for lunch, and remind her that I brought
all the dirty towels downstairs.
We make plans for next week - maybe some dinner

or a matinee and some lunch - my treat.
I give her a long hug goodbye.
“See you next week,” I say, stepping outside,
closing the door behind me.

===

I can’t stand to come home anymore
because a home shouldn’t be a place
where the heart shrivels up

February 20, 2004

Trousers Rolled

I am truly old because I am tired
and beset by my inescapable debt
to mistakes made through naive desire

and stubborn resolve. I have wept
silently, unable to plot the rhyme
required to purge this dim crypt

of its choked shadows, its whine
and bray, its treacherous historical depth.
This is a journey reduced to one thin line,

from spring to sand, from breath
to gasp, from fortunes foretold
to a harsh, derisive, forgotten myth
(from the flicker of an ignoble death)

gilded in whispers and fool’s gold,
a bastard tale born of an impotent sire
whose mute shame sings this bitter ode:

I am truly tired because I am old.

February 17, 2004

Clothes Make The Man

do amazing things -
swing between buildings
like a spare tire hung
on a lazy spring breeze;
stop bullets with the flat
of a sturdy open hand;
dismiss Cadillacs and train cars
with effortless ease;
catch planets and stars;
outrun sound, light,
history; death.

But with great power
comes the need for secrecy
and impeccable disguises –
a learned limp,
a practiced stutter,
an aloof savoir faire
draped in Armani
and Maker’s Mark,
or a pair of cracked
glasses and a fridge
filled with hot dogs
and month-old milk –

plus garish lies the length
of wooden noses,
tall tales worthy
of only the worst
politics and loudest
celebrity. All this, to feel
safe and secure away
from these fantastic
struggles, to deny
these unearthly talents,

to look up at the sky
and pretend the mannered,
mundane persona
isn’t the real mask.

February 13, 2004

Clothes Make The Man

do amazing things -
swing between buildings
like a spare tire hung
on a sturdy oak branch,
stop bullets with the flat
of an open hand,
lift Cadillacs and Pullman cars,
catch meteors and stars,
outrun time,

but with great power
comes secresy and deceit
and the need for these disguises,
the necessity to tame
outlandish ability
with a limp or slouch,
an aloof savoir fair
draped in Armani,
or a pair of cracked
glasses,

to pretend that the mild,
mannered, mundane persona
isn’t the real mask.

February 2, 2004

Quality Mercy

In case of war
Break stained glass ceiling
To allow for trickle down
Disinformation in fallow
Nations beset with pearl
Harbor tacks and committee
Misappropriations of
Certain inaliable rights.

United we stand
For mandates against
Foreign proliferation
Through compassionate
Restitutions of wrongs
Righted in the wake
Of past administrative
Teletype pools

A thousand points
Of courier rights justified
Over land and sea marching
Caissons and battered snare
Across burst purple plains
Lost in the heavy
Trading of friendly fire
For slingshot suffrage

We are forced towards this sacrifice
To quell the eminent threat
Featured, profiled, broadcast
Across bandwidths of every
Creed and color, the threat
That exposes our intellectual
Property to viral interests,
The ever-present threat
Of fighting terror known
Only by the vigilant eyes
Of justice

We can trust in that greater
Power who guides the unfolding
Of the years and in all that is to come,
We can know that His purposes
Are just and true

May God
Continue to bless
America.

February 15, 2002

Little Mary

After the first time we kissed…
My glasses got in the way.
I placed them on the dashboard,
eyes wide and streaked, blurry.
We were sitting in a truck,
in a parking lot, with the headlights
bathing the brick wall. Eventually,
she asked me why the lights were on,
if we weren’t actually going anywhere.
Good question.

She asked me at about the same time
that I was going to attempt to ask her,
and I was so shocked, to think that
she was actually there, with me,
actually sitting with me,
actually wanting to be with me.
And then I bit her lip, in lieu
of her tongue. We laughed.

The radio was playing soft jazz,
brushes smoothing out drums and
warm brass sounds as we snuggled
in the peppery seat-cover fur.
I actually asked what
her hair color was - I just didn’t know.
“Um, I think it’s called
light brown?” she asked me.
“Oh,” I replied, surprised, and my
hand considering light brown
as a wonderful description.

And we stayed in the truck, in the
parking lot, the lights off, the radio
glowing like a sleepy firefly, holding
our hands, fingers in hair, arms and
bodies falling into a pleasant
slumber.

And all that we needed
was what we could hold.

written March 19, 1998

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